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Now that I'm back home and fully immersed again in the insane stress busy-ness of regular life, I want to recap my Writers Weekend experience before I forget. It was quite a packed, long weekend so I'll probably split this into more than one entry.

I left home early enough that I expected to get to Moclips at least an hour before 4pm check-in but ended up being mis-directed at one turn by Google Maps so I arrived right on time. The drive took me through very familiar I5-North-Between-Portland-and-Seattle territory until just past Centralia, then I explored little highways like 88 and 12, through towns like Montesano and Aberdeen.

I had never met anybody in this group before, but I had sought out a number of people's blogs (many of the writers in attendance posted contact information in advance, as well as simple bios) so I figured I'd recognize a few. When I checked-in, though, I didn't recognize anybody, and went off to my cabin -- a real cabin, a tiny old box with rough timber beams in the ceiling, built in the 50s. This Ocean Crest Resort is a family-run place out at the end of Hwy 101, before it dead-ends on the Olympic Peninsula. The resort includes a number of buildings constructed at different times, so there are private homes converted into separate rooms, conventional apartment-style hotel rooms, larger cabins split into 3 or 4 rooms, or in my case, a single, stand-alone tiny box off at the edge of things.

The first event on the schedule was a dinner at 6pm in cabin 601, which was one of two prime activity centers for the group all weekend. Feeling a bit like the new kid, moving to a new school mid-year after everyone else already knew each other, I went on over there, made myself a name tag and had dinner. Before and after dinner there was social time. As I suspected, everybody else seemed to be familiar with at least a few other people in the room, and some like Jay Lake and David D. Levine seemed to know most of the others. Those who didn't know everybody at least seemed drift into small groups of three or four. I don't have much to report from this first evening. I spoke only briefly with a few people, but that was OK. I sat back, put names with faces, and oriented myself, and this was the last time I had that awkward feeling all weekend.

After things had broken up at 10pm or so, I went back to my cabin but wasn't tired yet, so decided to seek out a beer. The resort's lounge was upstairs from the restaurant, and next door to the conference room we'd be using for critiques and lectures all weekend. To my surprise, the lounge was not a real bar at all, but just a room with wood tables and chairs in it, where you can sit and drink wine or beer someone brings you from down in the restaurant. That was kind of weird, and I had sort of wanted to belly up to a bar and have somebody draw me a draft, you know?

Also in the lounge happened to be Peter, one of the writers I had just met (sorry, can't link to him here because he's proudly blog-less), along with his wife Rose, sampling from the resort's very impressive wine list. The service was perfectly fine, and though the beer came in a bottle it was enjoyable. It one of the Deschutes brewery beers, and Peter and Rose said they were from Bend, so we talked about that for a while. Then it turned out Peter and I both knew, remembered and enjoyed each other's stories, so we were able to talk about those at some length, and pre-critique them to some degree. Our stories were both similar in the sense of pertaining to early days of space travel, humanity trying to edge outward in the solar system (rather than the more conventional SF "way out there in the galaxy" kind of space travel), and we both had more positives to say about the other's story, than negatives. We talked not only about our stories up for critique that weekend, but also a few other stories we had each written in the same "world." I knew my story would confuse and/or annoy at least some people, so it was nice to get at least one positive response up front.

I felt much better after a couple of beers and an hour or so talking to Peter and Rose. Gosh, I hope I'm remembering her name correctly, because she only had that name tag the first night, but I think that's right. I thought it was charming, the way she was familiar with all her husband's stories and seemed to have helped him critique them, the way my wife Lena helps me with my stories until she's intimately familiar with all my settings, characters and titles.

You'd think the relatively uneventful first night would merit a much shorter entry, but that's how we roll, we writers... spin a tiny little idea into a whole bunch of introspective, detail-obsessed self-indulgence! Tune in tomorrow (or later today) when we reveal the untold story of Friday at Writers Weekend.
Today I was in a nostalgic mood for Writers' Weekend (can one be nostalgic about something that happened two weeks ago?), in that writerly self-indulgent way I suppose. :-) Since I hadn't had time to read your first-night summary prior to today, I hopped on over and enjoyed perusing it.

It sounds from your description that your story setting is right up my alley. I really like pondering human exploration of the solar system, without the (let's face it) literary device of FTL. Solar-system SF feels more like trip planning than daydreaming, although of course like other SF readers I have my favorite FTL worlds: A Fire Upon the Deep springs to mind, as do The Snow Queen, Dune, and the Culture novels.

Like many SF readers, I really want humanity to explore local space in my lifetime. Heck, I still wanna be an astronaut. In the meantime, solar-system-based SF plans humanity's collective itinerary the way moon-exploration SF did in the 1950s.

One of the nice things about the Writers' Weekend was getting to know a smaller subset of folks pretty well because they happened to be in your critique group, but the inevitable downside of that was not getting to know the folks in the other critique group so well. So I'm very glad you and I had a chance to talk at some length one evening.

I look forward to reading your SF in print. I already think at least some Hypnos releases would make great soundtracks for hard SF stories. :-)
I know what you mean about being nostalgic for something not too far in the past. Maybe not so much nostalgic, as realizing up on one's return to "normal life" that it's a rare environment one you can find a dozen people all in one room to discuss books and publishing and blogging and all that stuff. So we get back home and we think, "hmmm, if I can't hang around with a bunch of writers, at least I can peruse their blogs!"

Like you I thought of reading a few stories from the opposite critique group, at least for those people I talked to most. If you really want to read "The Long Tightrope" you could grab it out of the Yahoo group page for Writers Weekend, or you could wait until I finish entering these post-critique revisions and I'll be glad to send it along.

A Fire Upon the Deep is on my must-read-very-soon list.

As for space travel, every time I think about how much we've moved forward in some areas of tech, and yet effectively moved backward with regard to space exploration, I get depressed and have to read an Iain M. Banks novel!

And to the subject of Hypnos music as SF soundtracks, one of the first print reviews I ever received (the first Viridian Sun album I think) characterized it as an alternate soundtrack to 2001: A Space Odyssey or something like that.

Science Fiction

Date: 2010-08-10 08:59 pm (UTC)From: [identity profile] obadiah.livejournal.com
I'd be happy to read the post-critiqued version of "The Long Tightrope."

As for the Vernor Vinge, if you haven't read his novella "The Blabber" (which is set in the same universe, but written prior to the novel), I'd read that first. It's a slower, more mysterious introduction to a pretty cool alien species that inhabits both works, so it's probably more fun to meet the species that way. It's in his complete short stories collection.
Although chronologically it takes place after A Fire Upon the Deep, it's probably on balance less spoilery to read "The Blabber" first.

And A Deepness in the Sky takes place before both works, but should definitely be read last due to a minor revelation-plot spoiler that would happen if you read them in their chronological order.

Please note that the Joan D. Vinge novella and short novel collected in Heaven Chronicles actually take place in that universe, though without characters connecting them to Vernor's works.

Re: Science Fiction

Date: 2010-08-10 09:16 pm (UTC)From: [identity profile] griffinwords.livejournal.com
That's funny -- I literally had that book (collected stories of Vinge) in my hand at Powell's last weekend, carried it around with me for an hour, and for some reason put it back. Maybe I wanted to read A Fire Upon the Deep first? Or maybe a voice in my head said, "You have five thousand unread books at home, idiot!"

The 5,000 Unread Books of Dr. T

Date: 2010-08-10 09:38 pm (UTC)From: [identity profile] obadiah.livejournal.com
Does that voice in your head sound like your wife's? Because when I get that voice in a bookstore these days, it definitely sounds like my wife's. And she's right.

Sometimes I buy the book anyway.... ;-)
Well, Lena has been known to remind me of the absurd imbalance in my books-purchased:books-read ratio, but I'm really trying to slow it down a little bit. At some point it's not about buying something I might actually read soon, and it's more like hoarding. Amazon and Powell's both love me!

Still should'a bought that book of Vernor Vinge stories. And gosh, that new Kim Stanley Robinson collection from Night Shade was so beautiful.

Anonymous

Date: 2010-08-10 11:42 pm (UTC)From: [identity profile] obadiah.livejournal.com
I hear you, bro.

"Hi. My name is Cliff, and I'm a bibliophile."

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